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To anyone common with Shinji Ikami’s tortured psyche, however — his daddy issues and severe uncertainties of self-worth, let alone the depressive anguish that compelled Shinji’s actual creator to revisit the kid’s ultimate choice — Anno’s “The End of Evangelion” is nothing less than a mind-scrambling, fourth-wall-demolishing, soul-on-the-screen meditation around the upside of suffering. It’s a self-portrait of an artist who’s convincing himself to stay alive, no matter how disgusted he might be with what that entails.
Even more acutely than possibly on the films Kieślowski would make next, “Blue” illustrates why none of us is ever truly alone (for better worse), and then mines a powerful solace from the cosmic secret of how we might all mesh together.
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Figuratively (and almost literally) the ultimate movie of the 20th Century, “Fight Club” will be the story of the average white American male so alienated from his identity that he becomes his individual
Iris (Kati Outinen) works a dead-finish work at a match factory and lives with her parents — a drab existence that she tries to flee by reading romance novels and slipping out to her community nightclub. When a person she meets there impregnates her and then tosses her aside, Iris decides www xxxcom for getting her revenge on him… as well as everyone who’s worshipped brunette kristina bell gets access to a penis ever wronged her. The film is practically wordless, its characters so miserable and withdrawn that they’re barely able to string together an uninspiring phrase.
Set in Calvinist small town atop the Scottish Highlands, it's the first part of Von Trier’s “Golden Heart” trilogy as Watson plays a woman who has sex with other Guys to please her husband after an accident has left him immobile. —
The people of Colobane are desperate: Anyone who’s anyone has left, its buildings neglected, its remaining leaders inept. A serious infusion of cash could really turn things around. And she or he makes an offer: she’ll give the town riches further than their imagination if they conform to destroy Dramaan.
None of this would have been possible Otherwise for Jim Carrey’s career-defining performance. No other actor could have captured the mixture of Pleasure and love porn darkness that made Truman Burbank so captivating to both the fictional audience watching his show as well as moviegoers in 1998.
This critically beloved drama was groundbreaking not only for its depiction of gay Black love but for presenting complex, layered Black characters whose struggles don’t revolve around White people and racism. Against all conceivable odds, it triumphed over the conventional Hollywood romance La La Land
For such a singular artist and aesthete, Wes Anderson has always been comfortable with wearing his influences on his sleeve, rightly showing group sex confidence that he can celebrate his touchstones without resigning to them. For evidence, just look at how his characters worship each other in order to find themselves — from Ned Plimpton’s childhood obsession with Steve Zissou, on the gentle awe that Gustave H.
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From that rich premise, “Walking and Talking” churns into a characteristically low-essential but razor-sharp drama about the complexity of women’s internal lives, as the writer-director brings such deep oceans of feminine specificity to her dueling heroines (and their palpable monitor chemistry) that her attention can’t help but cascade down onto her male characters as well.